Rewind: Films of the 60s, 70s, 80s – The Fury (1978)

by RICHARD WINTERS

This is another Brian De Palma-directed Hitchcock wannabe, this time involving a sinister government agent named Ben Childress (John Cassavetes) who wants to use the amazing psychic abilities of a young college-aged man named Robin Sandza (Andrew Stevens) for his own nefarious purposes. While he is in Israel with Robin and his father, Peter (Kirk Douglas), Childress decides to stage a terrorist attack, which he hopes will kill Peter and allow him to whisk Robin away to an underground research lab where no one will find him. However, Peter manages to survive the attack and goes on a relentless pursuit to find his son. This occurs while a young woman named Gillian Bellaver (Amy Irving) with equally strong parapsychological traits starts to have visions of Robin and his whereabouts. She is at a school that specializes in people with these abilities and eventually she teams up with Peter.

The film has an interesting idea, but doesn’t go far enough with it. There weren’t enough plot twists to justify sitting through almost two hours. The pacing is poor and had it been trimmed to 90 minutes it would have worked better. The special effects are decent, but there needed to be more of them and they might not hold up to contemporary standards. John Williams’ orchestral sounding score helps elevate what is really just bubblegum material.

I felt there was a fatal flaw with the premise. This is namely the fact that with Robin’s amazing psychic abilities, you would think he could figure out that his dad was still alive and be able to find him while also outsmarting the people who are holding him.

I liked the opening sequence being shot on-location in Israel, which gives the film an exotic feel. The attack itself is well-handled and comes as a surprise. The secret agency and what they are using Robin for is vague and we see only a few scenes with him there. I felt this should have been more detailed, with less time spent with Gillian at the psychic school. That part of the story is not very compelling and the pace drags.

There are a few good action moments, but unfortunately they come at the beginning and end around a talky middle that lacks any real suspense. The best action scene is Peter’s escape from some gunmen by jumping out of an apartment window and onto the ‘L’ tracks along Wabash Avenue in Chicago. It is amazingly well shot and nerve-wracking.

A scene where Robin tortures a female doctor (Fiona Lewis) by using his telepathic powers to spin her around a room until blood oozes from her body and sprays all over the walls and furniture deserves some credit, but I wished it had been more extended. There is also the exploding body that is the film’s final shot and possibly its best and it is shown several times at different angles. I also enjoyed the darkly humorous scene where Robin uses his powers to send a ride at an indoor amusement park out of control and throwing the riders through the window of a nearby restaurant.

De Palma’s trademark over-direction is in full gear. Sometimes it works, but other times it is a distraction. For instance, he uses a lot of panning shots showing one person talking and then panning to the other person and then back again. During a funny scene where Peter breaks into an older couple’s apartment while looking for a disguise this really works, but De Palma continues to go to this well throughout and eventually it becomes annoying. There is also a foot chase that is done in slow motion, which to me sapped the tension and excitement right out of it. He does have a few bird’s-eye view shots, which while not adding anything to the story, are still kind of cool.

Andrew Stevens, son of actress Stella Stevens, is well cast as the young man who starts out likable, but slowly becomes evil as the film progresses. Stevens has a good knack for this as he can go from nice to menacing very quickly and I first noticed this during a classic episode of Murder She Wrote. His clear blue eyes can give off a creepy stare as well.

John Cassavetes is an excellent bad guy. He is best remembered as an independent film director with a unique vision, but with his dark features, cryptic glare, and intense delivery he can also be a very good villain. I don’t think the film made the most of it, but it was astute casting.

Although billed as the star Douglas does not have the most screen time and there are long periods where he isn’t seen at all. This was really a vehicle for Irving, who is convincing and makes the viewer sympathetic to her quandary of having super-powers that she does not fully understand, cannot control and doesn’t really want.

This is a great chance to see some young stars in their film debuts, including Darryl Hannah, Laura Innes, and James Belushi. There is also an amusing scene featuring Dennis Franz with a full head of hair playing a nervous and befuddled Chicago cop.

My Rating: 5 out of 10 stars

**********

Last Time on Rewind: Movie Movie (1978)
Coming Up Next: Rock ‘n’ Roll High School (1979)

8 responses to “Rewind: Films of the 60s, 70s, 80s – The Fury (1978)

  1. This film has one of the greatest human explosions in cinema. :O)

  2. Richard Winters

    I agree with you. It’s the highlight of the whole film. The problem is you have to wait all the way to the end to see it.

  3. But it’s kinda worth it.

  4. Richard Winters

    Another movie that would ‘compete’ in the area of exploding human bodies as Helen stated would be in Monty Python’s brilliant comedy ‘The Meaning of Life’ were an extremely obese man goes out to a fancy restaurant and over-eats only to have his body explode and shoot out everything he has eaten as well as all of his internal organs onto the other guests. That scene is probably more gross than this one, but it is hilarious.

  5. I like that the waiter knew that he’d explode if he’d ust eat the mint. lol
    Meaning of Life is the only Monty Python film that I dislike. I know that it’s not supposed to make much sense (there’re just random skits) but most of the skits sucked, I thought. Even critics were saying that there are bad skits there in order to contrast the really good ones. lol

    And David Cronenberg’s Scanners has the best head explosion in movie history. :O)

  6. Richard Winters

    ‘The Meaning of Life’ is my favorite Monty Python film and I felt their funniest. ‘And Now for Something Completely Different’ is good too. ‘Life of Brian’ did not impress me as much. I was going to mention ‘Scanners’. David Cronenberg is one of my favs. A highly underappreciated and very innovative and daring director.

    • He was. Cronenberg’s now mainstream and as much as I loved Eastern Promises, his other “mainstream” films are weak. I love Videodrome, Scanners, The Fly… those crazy films that defined who he was.

      From the Pythons, I find Holy Grail to be their best film and one of the funniest comedies of all time. …And Now for Something Completely Different has terrific skits and Life of Brian is their most intellgent film, which is hard to believe. But Meaning of Life, I found, to be bland and slow and aside from the opening sequence with the pirates and the skyscrapers, the film’s very unimaginative. I don’t like it but most people do.

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